As the strange events the characters experience begin to get more sinister the paranoia and frustration set in causing them to become distrustful of one another. The approach and setting are totally different, but things play out in basically the same manner. Instead they are used as a nod to the first movie, another attempt to convince us that all of this really happened, and as a method of delivering a twist ending that most will probably see coming. Cameras still play a big role, but we're not watching the action through them. Putting the two films side-by-side it would be impossible to tell this was meant to be a follow-up if didn't constantly reference it's predecessor by name every so often. That's the basis for this odd meta-sequel that does away with the found-footage approach in favor of a more traditional film-going experience.
#Blair witch 2 movie
Because it's not like the characters in that movie died or anything. Or were maybe just hoping for a Blair Witch sighting. Because it's not like the characters in that movie died Following the release of The Blair Witch Project in 1999, the town of Burkittsville, Maryland was overrun with tourists who had seen the movie and wanted to visit locations from it.
But, the fact that the studio pushed for Marilyn Manson (over Frank Sinatra's "Witchcraft") for the opening scene perhaps provides a bit of a giveaway of the kind of film they envisioned and how it differed from what Berlinger wanted.Following the release of The Blair Witch Project in 1999, the town of Burkittsville, Maryland was overrun with tourists who had seen the movie and wanted to visit locations from it. Of course, we don't know if Berlinger's original cut was much better than the finished result. But unfortunately, they didn't like what Berlinger delivered and decided to re-shoot certain scenes and re-cut the film to create a more traditional horror flick.īerlinger himself felt disheartened by the changes made to the film, even bringing the issue up in the home video's release's commentary, feeling that it took away from the film's ambiguous plot. However, Artisan decided to proceed anyway and brought in Berlinger, which seemed like a stroke of genius. Production company Haxam and film studio Artisan were on a different page from the get-go, the latter wanting to cash in on the Blair Witch Project's success and the former wishing to bide their time. Well, it's hard to say precisely, but it certainly appears that there were some significant creative differences behind the scenes.
And, just to assure audiences what kind of film they're in for, we find ourselves following a Scooby-Doo styles van traveling down a highway as Marilyn Manson screams "Disposable Teens" over the opening credits. We get cigarette smoking doctors administering drugs, a man wailing around in a straight jacket, and many irritating cut-shots. Suddenly, we're in a psychiatric hospital for a montage that seems to have been pulled straight out of a 90s MTV music video (picture Green Day's "Basket Case"). What better way to keep the spirit of The Blair Witch Project alive than a pseudo-documentary about the film? Perhaps one that takes a 'shades of grey' approach to the original's legitimacy? These are real-life interviews with the black-clad diehard fans and the ticked-off locals. We then find ourselves in Burkittsville, Maryland, the location of the previous film, where tourists and obsessed fans have descended, much to the disgruntlement of the locals.